Exploring the dual psycho-physical nature of light through mediation, exposure and spectrality, the work’s constellations of optical lenses and large-scale prismic glass sculptures are a sustained enquiry into light’s pharmakological potential to fragment and dimensionalise experience.

Within a context of attentional conditioning and mediated saturation, this work suspends the lens and screen as interfaces of perceptual enframing, deconstructing the photographic apparatus to create instruments of spectral articulation and durational environments of exposure.